6.0 法語(yǔ)?·?1946?·?法國(guó)?·?劇情片?
皮埃爾·布拉瑟,塞爾日·雷吉亞尼,伊夫·蒙當(dāng),納塔莉·納捷,薩蒂南·法布爾,雷蒙·比西埃爾,讓·維拉爾,西爾維婭·巴塔耶,雅內(nèi)·馬爾肯,妲妮·羅賓,加布麗埃勒·豐坦,克里斯蒂安·西蒙,法比安·洛里斯,勒內(nèi)·布朗卡爾
1945年2月,在巴黎的地鐵里,一個(gè)工人金 迪戈遇到一個(gè)會(huì)算命的流浪漢.流浪漢預(yù)卜他將要和一個(gè)漂亮的女人發(fā)生愛(ài)情,而且就在幾個(gè)小時(shí)以后將出現(xiàn)戲劇性的情景.不久.金就遇到一個(gè)逃避不幸婚姻的年輕女人瑪瑙.瑪瑙的弟弟蓋伊也同樣地接到了那個(gè)神秘的流浪漢的警告:他正在被一個(gè)不幸的死亡所逼進(jìn).蓋伊不理睬他.蓋伊告訴瑪瑙的丈夫喬治,瑪瑙已經(jīng)和金墜入情網(wǎng).因?yàn)閼岩山鹩形淦?喬治勉強(qiáng)地接受了蓋伊給他的槍..... 更詳細(xì)的資料, 請(qǐng)?jiān)L問(wèn): http://morricone.cn/master/master-022-2.htm
9.0 法語(yǔ)?·?1938?·?法國(guó)?·?劇情片?
安娜貝拉,讓-皮埃爾·奧蒙特,路易·茹韋,阿萊蒂,波萊特·杜博斯特,安德雷克斯,安德烈·布呂諾,亨利·博斯克,馬塞爾·安德烈,貝爾納·布里埃,雅克·盧維尼,阿爾芒·呂爾維爾,雅內(nèi)·馬爾肯,Génia Vaury,弗朗索瓦·佩里埃,勒內(nèi)·貝熱龍
A young couple, Renee and Pierre, take one night a room at the Hotel du Nord, in Paris, near the canal Saint-Martin. They want to die together, but after having shooted at Renee, Pierre lacks of courage and ran away. Another customer, Monsieur Edmond, a procurer, rescues her. When Renee goes out of the hospital, she is hired as a waitress at the hotel. Monsieur Edmond falls in ...
10.0 法語(yǔ)?·?1958?·?法國(guó)?·?劇情片?
帕斯卡爾·普緹,安德麗·帕里西,雅克·夏里爾,洛朗·特茲弗,讓-保羅·貝爾蒙多,達(dá)妮·薩瓦爾
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as Fran?ois Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma fran?ais in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
9.0 法語(yǔ)?·?1942?·?法國(guó)?·?劇情片?
阿萊蒂,Marie Déa
15世紀(jì)一座巨大的白色城堡里，正在舉行盛大的節(jié)日慶祝會(huì)。魔鬼派遣他創(chuàng)造的人混在雜技藝人當(dāng)中。在這個(gè)卻是很美的開(kāi)始場(chǎng)景中，服裝師，演員們和音樂(lè)師全都沉醉在法國(guó)傳統(tǒng)中，他們都以一種完美而準(zhǔn)確的風(fēng)格重現(xiàn)古代細(xì)筆畫(huà)中的人物形象。在這個(gè)開(kāi)頭場(chǎng)景以后，在中古時(shí)代的服飾下，編劇和導(dǎo)演所表現(xiàn)的世界一直沒(méi)有變化。但他們的論點(diǎn)發(fā)生了改變。影片一方面表現(xiàn)的是善良人，被愛(ài)情變得圣潔的人——?jiǎng)t那位吟詩(shī)人和年輕的領(lǐng)主夫人，另一方面是魔鬼親自率領(lǐng)的那些邪惡的人，魔鬼在這里同命運(yùn)混成一體?！ ”酒艿搅俗顭崃业臍g迎。卡爾內(nèi)原想把這部神話(huà)故事放在當(dāng)前的時(shí)代中來(lái)演出。后來(lái)，由于慎重考慮，他把時(shí)代背景改為迷信魔鬼與巫術(shù)的中世紀(jì)。原來(lái)劇作者的心目中，魔鬼是希特勒的形象。但在影片中這一影射卻很難看出來(lái)。魔鬼使用妖法，把那些情人化成石像，佇立在噴水池旁，池水反映出騎士們比武，邪惡獲得勝利。但是那對(duì)被鏈條鎖住，受盡折磨的情人，最后還是不顧一切地聚會(huì)在一起，他們的心在石像里面不停的跳動(dòng)著。人們可以看出這正是被囚禁的法國(guó)形象、在卡爾內(nèi)和普萊衛(wèi)的影片中，人們第一次看到命運(yùn)與邪惡無(wú)力征服愛(ài)和善。
5.0 法語(yǔ)?·?1945?·?法國(guó)?·?劇情片?
阿萊蒂,讓-路易斯·巴勞特,皮埃爾·布拉瑟,皮埃爾·雷諾阿,瑪麗亞·卡薩雷斯,加斯東·莫多,法比安·洛里斯,馬塞爾·佩雷斯,帕洛,艾蒂安·德克魯,雅內(nèi)·馬爾肯,瑪塞勒·蒙蒂爾,路易·弗洛朗西,哈比卜·本利亞,羅尼奧尼
巴黎熱鬧的街上，美麗的女子Garance（阿萊緹 Arletty 飾）先是認(rèn)識(shí)了演員Frédérick Lema?tre（皮埃爾·布拉瑟 Pierre Brasseur 飾），然后又認(rèn)識(shí)了Baptiste Deburau（讓-路易斯·巴勞特 Jean-Louis Barrault 飾），她還有一個(gè)追求者Pierre-Fran?ois Lacenaire，一個(gè)偷東西做些壞事的人。某個(gè)夜晚，Baptiste又在酒吧遇見(jiàn)了Garance，他向她表白愛(ài)意，Garance也喜歡Baptiste，兩人來(lái)到Baptiste居住的旅館。Baptiste希望Garance像他愛(ài)她一樣愛(ài)他，于是離開(kāi)了她的房間。恰巧Garance的隔壁住著的是Frédérick，兩人遂一夜春宵，墜入愛(ài)河。Garance也加入了Baptiste和Frédérick的劇團(tuán)。在一次演出上，一位花花公子，Comte édouard de Montray被Garance的美麗深深吸引。他來(lái)到后臺(tái)像Garance表達(dá)了他的愛(ài)，但被Garance拒絕。于是édouard留下了他的聯(lián)系方式，希望Garance有難的時(shí)候可以找他。不久，Garance卷入一宗謀殺案，她只能尋求édouard的幫助。多年過(guò)去了，隨著édouard走遍各地的Garance又回到了巴黎，又遇到了Baptiste、Pierre-Fran?ois和Frédérick.....